Tag Archives: women

A Brigid / Time Traveller / Nativity Story

Midwife at the Birth

She went into the stable and was in time to aid and minister to the Virgin Mother, and to receive the Child into her arms…

Genealogy of Brigid (451-525 AD), Carmina Gadelica

https://www.tate.org.uk/art/artworks/gill-nativity-with-midwife-p08039
Nativity with Midwife 1913 Eric Gill http://www.tate.org.uk/art/work/P08039

Brigid threw her eyes to heaven as the priest droned his way through the gospel. It’s as if he’s telling a dirge for a death, she thought, not an anthem for a birth and the best story of the year. But he’s a good man, gentle with the novices and their small sins, and not given to fawning over the pretty ones. Her mind drifted. Was it cold there, cold as this stone church on Christmas Eve? How did that poor frightened girl manage with only her old husband to help? The innkeeper’s wife would have been too busy – the shepherds knew how to deliver a lamb, they might have known been some help – but the angels waited until after the baby was born before they sang their Hosannas. Not a lick of sense between them. Why on earth didn’t Gabriel ask a midwife to be present for the birth?

The scraping of pews broke her reverie. She wrapped her green shawl close and took her place at the back, behind the line of monks and nuns. She noticed that Mother Muireann’s limp was getting worse, that Sister Imelda needed to mend her hem. She inched her way toward the altar, her breath fogging the chill air.

“Corpus Christi.”

The host dissolved on her tongue. She bowed her head and prayed, her body suffused with the light of God incarnate. Her slave-born mother’s words flashed through her mind. You have the spirit of a nun, Brigid, and the soul of a poet, and the hands of a skilful midwife. As the choir sang the recessional hymn, she fizzed with fear and excitement. Can it be done? Could I do it?

*

When the abbey was fast asleep, Brigid rose from her bed. The Chapel of the Flame reminded her, as it always did, of a small child nestled beneath the protection of the great winter oak. She laid one hand on fissured bark, one hand on lichened stone, breathing deep, asking for courage. Then she lifted the latch and opened the door. Áine was dozing on a bench at the far side of the fire.

“Sister Áine.”

The young nun snapped awake. “Mother Brigid!”

“I will tend the flame tonight. You may go to your bed.”

*

She gazed into the leaping flames, seeing again the old woman, the one who had tended the flame before the coming of the Christ-story. They shared the same name, Brigid, woman of valour. The old Brigid had been the last of her kind, the seer-women who communed with the goddesses and gods of old Ireland. She remembered her words: This flame sits over the eye of a holy well. It is a marriage of sacred water and sacred fire. It will not burn your flesh. This flame is a doorway into the time before, and a doorway into the time that is to come. If your intention is pure, this flame will take you where you need to go. She had never, in all her years as abbess, tested the truth of the old Brigid’s story. Because, she thought, I am still wary of the pagan mysteries, I worry that their power might seduce me away from the Christ-story. But now, tonight, my intention is pure – none purer – to serve the Mother of God. She thrust her hand in, whipped it out. The small hairs on the back of her fingers had not been singed. She reached in again, felt a liquid coolness. She stared at the drops of dew in her palm.

Do it now, she told herself, before your courage fails. She cleared a level space in the centre of the fire with the poker, then closed her eyes. With her inner eye she saw where she needed to go – the stable – the ox and the ass – the young woman, her belly huge with child – the old man Joseph – the guiding star.

She stepped in.

She was standing in the middle of a forked tree, three splayed trunks fanning out, one bent low to touch the ground. Between her feet, between the sister-trunks, she found the small un-burning flame, her pathway home. She sighed with relief. A drunk sang a tuneless song, someone shouted at him to shush. She became aware of the bustle of the inn – the star – the lamp-lit stable.

She stepped out from between the tree-trunks and walked across the sandy ground. Through the open doorway she saw Mary and Joseph, the young woman’s face knotted with pain, the old man’s face racked with fear. She knocked on the lintel.

“Greetings,” she said. “I am Brigid of Ireland. I have come to be midwife at the birth of your child.”

The Colour Red Has Many Flavours

I’m delighted that my flash fiction has won the Myslexia # 91 Flash Challenge. You can read Judge Meg Pokrass’s generous comments below.

The Colour Red Has Many Flavours is a potent story of realization. In this epiphanic moment, a woman in an abusive relationship recognizes what she’s been living in, as if waking up from a terrible dream. The way the story builds makes us see, through the main character’s perspective, just how unhappy she has become. Earned through the careful crafting of language and world building, the author brings realistic and often shocking insight. This insight comes from the sort of questioning that ensues when something bleak is transformed by a moment of brightness or when something seemingly mundane is suddenly revealed as earth-shattering. Because the story is loaded with masterful use of sensory detail, and the reader is treated to a most satisfying ending—something we wish happened more often in the real world.

Meg Pokrass

Women’s Writing Group, Kinlough Co Leitrim – Autumn 2019

Women Writing Together – – Fortnightly, Wednesdays, 7 – 9:30 PM

64-roman-terentia-ou-terenzia-gold-hairnet-imperial-period-pompeii-from-wikimedia-commonsExplore your creativity and develop confidence in your voice by writing with other women in a warm and encouraging environment. If you are new to creative writing,  or if you want to use the workshop time to explore your voice, experiment with different genres and styles and write new work, then this Amherst method workshop is for you.

Wednesdays, Sep 11 & 25; Oct 9 & 23; Nov 6 & 20; Dec 4.  Min 6 / Max 11 participants.  Cost for 7 sessions: €110 Early bird before Sept 2 : €95

Enquiries to monicacorishwriting@gmail.com. Payment by PayPal button or by cheque

New Year’s Resolution: Do more of what you love

writing handYou’d like to be a better writer? Or a better poet? You write a little, but you’d like to write more? Or you haven’t written since school, but you’d like to give it a try? 

This term I’ll be leading three fortnightly workshops in Kinlough, Co Leitrim. Not sure which is for you? Read more at monicacorish.ie/workshops, or contact me.

  • Tuesday evenings: ‘Writing: the Art and the Craft’, for writers of fiction, memoir and creative non-fiction
  • Wednesday evenings:  ‘Women Writing Together’, for beginners, and for women who want to explore their writing voice.
  • Thursday evenings: ‘Poetry: the Art and the Craft’

Early bird concession available until Jan 7. Workshops start Tues 15 / Wed 16 / Thurs 17 January. Places limited, so advance booking is advised.

“When we neglect the artist in ourselves, there is a kind of mourning that goes on under the surface of our busy lives.”

Pat Schneider, founder of the Amherst Method, in ‘Writing Alone and with Others’, OUP.

Women Writing Together, Kinlough, Co Leitrim, Autumn 2018: Explore your creativity, develop confidence in your voice by writing with other women in a warm and encouraging environment. The workshops will be led by award-winning writer and Amherst trained writing group leader Monica Corish. For more info go to www.monicacorish.ie/workshops / contact monicacorishwriting@gmail.com / 087-6414185.

 

Collage your Personal Soul Cards – A Workshop for Women

Create your own Soul Cards with card, glue, images and  imagination. Collage — a creative and playful method for intuitive, artful self-discovery and self-expression — is accessible to everyone, even those who think they have no artistic ability.

Where? Lakeside Centre, Belleek Road, Ballyshannon, Co Donegal
When? Saturday, July 14, 11 AM – 5 PM
How much? €75, all materials supplied
Early bird concession: €60 before July 6 
Questions? Contact monicacorishwriting@gmail.com

What they said about previous workshops: “Surprisingly easy.”  — “A window into my interior, amusing, surprising and fun.”  — “A restful day of creative play and unexpected connections.”

three cards together
This workshop is based on the SoulCollage® process developed by Seena B Frost, and on the Art to Heart methods taught by Jole Bortoli.

Lunch, teas, coffees will be available at AJ’s Wine Bar and Restaurant, Lakeside Centre.

Writing: The Art and the Craft

Writing: The Art and the Craft – Tuesdays – Kinlough, Co Leitrim

typewriter-vintage-old-vintage-typewriter-163084Six Tuesday evenings: 7 – 9:30 pm, Apr 10, Apr 24, May 1, May 8, May 22, Jun 5. Cost: €90, early bird concession €75, before Tues Apr 3.  For more infomonicacorishwriting@gmail.com 087-6414185. Numbers limited, advance booking essential. Develop your writing skills through constructive critique, feedback and tailored craft exercises.

  €90

Women Writing Together – Wednesdays – Kinlough, Co Leitrim

my labyrinth smallSix Wednesday evenings: 7 – 9:30 pm, Apr 11, Apr 25, May 2, May 9, May 23, Jun 6. Cost: €90, early bird concession €75, before Tues Apr 3.  For more infomonicacorishwriting@gmail.com 087-6414185. Numbers limited, advance booking essential. Develop confidence in your voice by writing with other women in a warm and encouraging environment.

  €90