Episode 2: Imbolc

snowdrops and snowTune in to the Glens Centre YouTube channel on Friday, June 12 at 8 PM, to hear poems, stories and songs inspired by Imbolc, by Spring, and by Brigid, Goddess and Saint. This episode will feature writing from:

  • Monica Corish,
  • Shane Leavy,
  • Dermot Lahiff,
  • Paula Lahiff,
  • Tara Baoth Mooney,
  • Margaret Timoney
  • Tom Sigafoos.

This event is a fundraiser for North West STOP Suicide Prevention, which provides counselling support for people at risk of suicide. Donations can be made through their website, or through Facebook.

Writing Prompts from the Cocoon, June 2

This will be my last Writing Prompt from the Cocoon for a while – not because I am fully out of lockdown, but because summer is here and it’s time to concentrate on my own writing.

I leave you with another ekphrasticprompt, from this excellent Facebook page where members recreate famous works of art – in this case Кира Викторовна’s recreation of Salvador Dali’s 1925 work, “Girl at the Window“. You might write in response to either one of the images, or you might decide to place them in dialogue with each other.

Girl at the Window, after Dali

Two sources of prompts to keep you going over the summer:

  • Every week O Bhéal post a new five word poetry competition
  • The Poets and Writers website posts “a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays”

Happy writing – stay well, stay safe, stay creative – Monica

Poetry and Story inspired by Landscape and Myth – Glens Centre YouTube channel

100474907_2343722685730463_2436211952595238912_n Tune in to the Glens Centre YouTube channel on Friday, June 5, 12, 19 and 26 at 8 PM, to hear poems, stories and songs inspired by the myths and legends, landscapes and festivals of the North West. Featuring work from:

  • Monica Corish,
  • Shane Leavy,
  • Dermot Lahiff,
  • Paula Lahiff,
  • Maggie Kilcoyne,
  • Tara Baoth Mooney,
  • Margaret Timoney
  • Tom Sigafoos.

You can hear more about these broadcasts in Brendan Murray’s interview with Monica Corish on Ocean FM’s Arts North West, on Thursday, June 4 at 9:30 PM (repeat Sunday, June 7 at 8 PM).

This event is a fundraiser for North West STOP Suicide Prevention, which provides counselling support for people at risk of suicide. Donations can be made through their website, or through Facebook.

Writing Prompts from the Cocoon, May 25

9360262_origA writing prompt to keep you going for a few weeks: Write a short story. How? There is plenty of advice on the Internet, some excellent, some less so. I chose the following from The Write Practice for one piece of advice that resonated: “Write your story in a single setting”.

Here’s an abbreviated list of their suggestions:

  1. Read short stories…
  2. Write your story in a single sitting…  Everyone hates being interrupted when they’re telling a story. Use that to your advantage and don’t stop writing until you’ve finished…
  3. Read your draft… without changing anything. This will give you a sense of what work it needs…
  4. Write a premise… Get your head around the main idea behind your story by summarising your story in a one sentence premise. Your premise should contain three things: a character, a goal, and a situation.
  5. Write, edit, write, and edit. Good writing is rewriting. Use your second draft to fill in the plot holes and cut out the extraneous scenes and characters you discovered when you read the first draft in step #2. Then, polish up your final draft on the next round of edits.
  6. Submit!

 

Writing Prompts from the Cocoon, May 19

image from the new art of memory

Write a flash memoir. Start from the memory of a sound, a smell, a taste, a touch. Set yourself a 500-word limit – for me this is the equivalent of two handwritten A4 pages.
Before you begin consider the following advice from True Stories Well Told.
Flash Memoir tends to be:
  • Free of preambles—They start at the flashpoint—the moment when conflict ignites tangible action that drives the story forward.
  • Scene-based—They frequently take place in one run of time, without jumping around.
  • Observant—They tend to feature not the “I” but the “eye.”
  • Insightful—Like a flashlight illuminating a dark corner, they explore something that provoked an insight.
  • Specific—They stick with concrete, observable events and actions rather than abstract concepts.
  • True—As a subgenre of creative nonfiction, Flash Memoir must uphold the nonfiction contract that what is reported actually happened.
More advice from The Writer Mag :
  • At its most basic, a micro-memoir is written in sentences, drawn from personal experience, and strives to create a world in as few words as possible.
  • A true hybrid, the micro-memoir strives to combine the extreme abbreviation of poetry, the narrative tension of fiction, and the truth-telling of creative nonfiction…
  • What they’re not: fragments. Micro-memoirs aren’t slivers of a bigger creation. They’re designed to stand alone…
  • Forget about the big memories, like meeting your beloved or witnessing a tragedy.
  • Consider memories that you retain without understanding why.
And here are links to places where you might publish your flash memoir:

 

Image from page 80 of “The new art of memory, founded upon the principles taught by M. Gregor von Feinaigle: and applied to chronology, history, geography, languages, systematic tables, poetry, prose, and arithmetic.”

Image from page 80 of "The new art of memory, founded upon the principles taught by M. Gregor von Feinaigle: and applied to chronology, history, geography, languages, systematic tables, poetry, prose, and arithmetic. To which is added, some account of the

Writing Prompts from the Cocoon, April 29

John_Tenniel_-_Illustration_from_The_Nursery_Alice_(1890)_-_c06543_03 Not a writing prompt this week, rather a signpost to online resources that will help you develop your craft.

If you have time on your hands, the renowned Iowa Writers Workshop offers FREE online courses in poetry, fiction and creative nonfiction.

And if you have time and money to spare, the excellent Arvon Foundation and Faber Academy offer a variety of options.

These range from a two hour Arvon Masterclass in Plot and Narrative Structure, (April 30 at 11 AM, cost £35); to Faber’s flagship eight-month course, Writing a Novel Online (application date August 19, cost £2500).

Happy writing – stay well, stay smart, stay kind.

Writing Prompts from the Cocoon – April 21

Four Horses – Photo by David WhyteThis week’s prompt was given to me by Eva O’Callaghan, another Amherst Method creative writing facilitator.

Start by reading “Four Horses”. Eva says: “I like the structure of this poem by David Whyte as a prompt for reflecting on and writing about any happening and its impact. I found it helpful to me to reflect on what is going on in our world at the moment.” She suggests that you write a response that is anchored by these phrases from Whyte’s poem:

  • On XXXday…
  • Since then…
  • Since then…
  • Each morning…
  • I spend my whole day…
  • I find myself wanting to…
  • I find myself wanting to…
  • I hear…
  • I feel…

And if you come up with a poem that you want to publish, be sure to credit its source: after Four Horses by David White

Photo credit David Whyte