Series 1 – Tuesdays – Sept 22, Oct 6 and 20, Nov 3 and 17, Dec 1 – FULL
Series 2 – Tuesdays – Sept 29, Oct 13 and 27, Nov 10 and 24, Dec 8 – CANCELLED
Writing Together in the Zoom Room – the pros and the cons
These innovative creative writing workshops will be led by Monica Corish, a trained and experienced Amherst Method facilitator (see below for more about the Amherst Method).
Find details about the workshop here.
I’ve been leading Amherst Method writing groups since 2008 – in arts venues, in community centres, in my local library, and from the sitting room of my house in north Leitrim. In late March 2020, shortly after lockdown was announced, we left my sitting-room and entered into the Zoom-room.
The first few sessions were challenging. Together we learned a new and unfamiliar technology; we learned how to function as a group in a virtual space; we learned how to be spontaneous, while also being respectful of each other’s voices.
Some things stayed the same. As before, people gathered once a fortnight to write together in a safe and inspiring environment, based on the Amherst Method guidelines. At each session I offered a prompt and invited the group to write in response. Silence fell as words poured onto the page, for 10, 20, 30 minutes. If someone got stuck I could meet them one-to-one in a private “breakout room”, to help them find their flow again.
As before, I invited people to read what they had written; the group practiced the skill of “close listening” – a vital skill for every writer; and those who chose to read received positive feedback that helped them develop their voices. People wrote about everything under the sun in these sessions, including the minuscule virus that had upended our lives. One person wrote the first chapter of a witty Zoom-room murder mystery…
Sometimes a video connection broke down, sometimes the audio was glitchy – in rural Ireland strong broadband is a gift, not a given. The disadvantages of writing together online are obvious: you don’t get to meet your fellow participants in the flesh; you can’t read their body language or hear the small gasps of admiration as you read your work; you don’t get to chat one-to-one during the break.
But there are advantages. You can join in from anywhere in the world. And you don’t have to get into your car on a dark, blustery winter’s night to drive to my sitting-room in north Leitrim.
Here at last… Saturday, July 18 at 8 PM on the Glens Centre YouTube channel
Tune in to the Glens Centre YouTube channel on Friday, June 26 at 8 PM, to hear poems, stories and songs inspired by Lunasa. The cycle of the year that began with the dark of Samhain is crowned by the brightness of Lugh, and by the harvest festival held in his name. As part of our Lunasa workshop we visited the Shannon Pot and the Cavan Burren, an extraordinary landscape of weathered limestone and megalithic monuments crafted by Ireland’s first farmers.
This episode will feature writing from Tom Sigafoos, Paula Lahiff, Shane Leavy, Dermot Lahiff and Monica Corish; and singing from Tara Baoth Mooney and Maggie Kilcoyne. This event is a fundraiser for North West STOP Suicide Prevention, which provides counselling support for people at risk of suicide. Donations can be made through their website, or through Facebook.
Image credit: Lugh, Brian Froud
The endlessly inventive and productive people at Across the Lines (IFI) / Open Mic Manor / The Thing Itself are inviting video or audio contributions for their next Crossing Borders Open Mic Online (IFI). The theme for this event is “Way-points and Markers” – the places, journeys and signposts that have marked our individual and collective transitions over the last three months. They invited me to come up with a prompt to spark contributions. Here it is:
Hestia is the Greek goddess of interiors, of contemplative time and space. She is the hearth-fire that makes a house into a home.
Perspective of a dutch interior viewed from a doorway *oil on canvas *103 x 70 cm *1642 – 1678
Hermes is the trickster god of travel, trade, computers, protector of doorways and boundaries, the messenger and mover, the communicator.
In her books “Goddesses in Everywoman” and “Gods in Everyman”, Jean Shinoda Bolen tells how these two very different archetypes are related. In Greek households the “herm” – a pillar symbolizing Hermes – stood just outside the front door, in a distinct but intimate connection with Hestia’s hearth-fire at the centre .
I invite you to see in your mind’s eye a place that represents the containment of “lockdown”; and a place that represents the process of “unlocking”. These places may be in the geography of your home, your county, your country, the world; or virtual places; or the space inside the arms of someone you love – a hug you are grateful to have received during lockdown, or a hug you are still yearning towards.
Whatever spaces come to you, feel them through your senses, through smell, and sight and touch and sound. And then write about these two spaces, placing them in relationship each with the other.